Results

Senior portraiture: the experience is everything


August 2017 issue Profiles

Taking high school senior photography beyond the portrait helps Maria Moore stand outThe senior portrait clients of Maria Moore, M.Photog., CPP, have been known to take a hike. Makeup flawlessly applied, hair perfectly coiffed, they might don rain boots, hitch up the skirts of their lovely formal dresses, and tromp through the woods surrounding Huntsville, Alabama, until they reach a creek that’s become one of Moore’s favorite sets. Once there, they glide into the water, sometimes soaking... Continue Reading >

It’s not wedding photojournalism, but it looks like it


June 2017 issue Profiles

Allison and Brian Callaway Polish RealityBefore they stepped behind the camera, both Allison and Brian Callaway made their living in front of it. Brian worked for years as an actor and Allison as a model. Despite living in someone else’s lens, the L.A. couple say neither ever felt comfortable being photographed.Years ago, when Allison and Brian transitioned their Los Angeles-based Callaway Gable Studios to professional wedding photography, they channeled that discomfort. Their experience... Continue Reading >

Wall art with heart: A portrait approach that emphasizes prints


March 2017 issue Profiles

Crisp and clean in style yet snug and sweet in spirit, Meghan Doll’s baby and family portraiture isn’t fine art, she says. It’s “heart art.”People get hung up on what constitutes art and what’s appropriate for their walls, she explains. But ultimately what most parents want is something that makes them smile, that swells their hearts, and that reflects the love they feel for their children. “It’s different from fine art,” she says. “It has a different place in your life.... Continue Reading >

Natural light is not enough


November 2016 issue Profiles

SCOTT DETWEILER ON THE BENEFITS OF ADDITIVE LIGHTINGMany a photographer has built a business on making images with little more than their camera and sunshine. But is natural light photography enough?“I would argue that even if you’re shooting entirely outdoors, the ability to augment the light is critical,” says Scott Detweiler. “It’s so important to be able to create different looks in different lighting conditions and be able to re-light things to achieve the appropriate... Continue Reading >

Master Builder


October 2015 issue Profiles

Understanding the industry he covers gives Randy Van Duinen a solid foundationFrom the moment he first picked up a camera, Randy Van Duinen, M.Photog.Cr., CPP, wanted to photograph architecture. His early pictures highlighted buildings and architectural lines, and he demonstrated an aptitude for portraying different types of spaces.That aptitude led to a job in a Grand Rapids, Michigan, studio that specialized in photographing office furniture. On large-scale, custom-built sets, Van Duinen... Continue Reading >

Light it right


October 2015 issue Tech

Octabank vs. beauty dishFor many years well-meaning mentors have given photographers lighting recipes in the form of detailed descriptions and diagrams. They present rigorous lighting formulas with the belief that they’re helping photographers understand the intricacies of lighting by offering specific schemes to follow. I believe in going beyond recipes to understand the complexities of lighting, the theories behind good photographic lighting, and the why’s of light and shadow control.... Continue Reading >

Case study: Finding validation


September 2015 issue Business

Tracy Page discovers career-saving supportWhen Tracy Page, Cr.Photog., CPP, of Douglas, Georgia, first got into photography, she faced a wall of negativity from many of the established photographers she encountered. Members of the old guard doubted her professionalism and her abilities. They were suspicious of her motives and withheld advice. Most discouraging: They told her again and again, “You’re doing it wrong.”SITUATIONWith a background in painting, drawing, and fine art, Page... Continue Reading >
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